主演：Alexandre,Arquillière,Jackie,Monnier,恩里克·里贝罗,Diana,Hart,雅克·贝克
导演：让·雷诺阿,Jean,Renoir
简介：Claudie, a young French woman, inherits her uncle's property in Algeria, much to the disappointment of her scheming cousins Diane and Manuel. On the ferry she meets and falls for Pierre, an idle young man who has squandered his inheritance and is on his way to beg from Christian, his rich but rough-and-ready uncle, who owns a neighbouring farm to Claudie's. Made to work on the farm by Christian as a loan condition, Pierre is soon a changed man, and proposes to Claudie. But when his Arab friend Zoubir invites the Europeans on a hunting party, Diane and Manuel see their chance to move against their cousin.
主演：内详
导演：居伊·德波
简介：Voice 1 (male professional announcer type) This neighborhood(1) was made for the wretched dignity of the petty bourgeoisie, for respectable occupations and intellectual tourism. The sedentary population of the upper floors was sheltered from the influences of the street. This neighborhood has remained the same. It was the strange setting of our story, where a systematic questioning of all the diversions and works of a society, a total critique of its idea of happiness, was expressed in acts.These people also scorned subjective profundity. They were interested in nothing but an adequate and concrete expression of themselves.Voice 2 (Debord, monotone) Human beings are not fully conscious of their real life - usually groping in the dark; overwhelmed by the consequences of their acts; at every moment groups and individuals find themselves confronted with results they have not wished.Voice 1 They said that oblivion was their ruling passion. They wanted to reinvent everything each day; to become the masters and possessors of their own lives.Just as one does not judge a man according to the conception he has of himself, one cannot judge such periods of transition according to their own consciousness; on the contrary, one must explain the consciousness through the contradictions of material life, through the conflict between social conditions and the forces of social production.The progress achieved in the domination of nature was not yet matched by a corresponding liberation of everyday life. Youth passed away among the various controls of resignation.Our camera has captured for you a few aspects of a provisional microsociety.The knowledge of empirical facts remains abstract and superficial as long as it is not concretized by its integration into the whole ” which alone permits the supersession of partial and abstract problems so as to arrive at their concrete essence, and implicitly at their meaning.This group was on the margins of the economy. It tended toward a role of pure consumption, and first of all the free consumption of its time. It thus found itself directly engaged in qualitative variations of everyday life but deprived of any means to intervene in them.The group ranged over a very small area. The same times brought them back to the same places. No one went to bed early. Discussion on the meaning of all this continued...Voice 2 Our life is a journey ” In the winter and the night. ” We seek our passage...�Voice 1 The abandoned literature nevertheless exerted a delaying action on new affective formulations.Voice 2 There was the fatigue and the cold of the morning in this much-traversed labyrinth, like an enigma that we had to resolve. It was a looking-glass reality through which we had to discover the potential richness of reality.On the bank of the river evening began once again; and caresses; and the importance of a world without importance. Just as the eyes have a blurred vision of many things and can see only one clearly, so the will can strive only incompletely toward diverse objects and can completely love only one at a time.Voice 3 (young girl) No one counted on the future. It would never be possible to be together later, or anywhere else. There would never be a greater freedom.Voice 1 The refusal of time and of growing old automatically limited encounters in this narrow, contingent zone, where what was lacking was felt as irreparable. The extreme precariousness of the means of getting by without working was at the root of this impatience which made excesses necessary and breaks definitive.Voice 2 One never really contests an organization of existence without contesting all of that organization's forms of language.Voice 1 When freedom is practiced in a closed circle, it fades into a dream, becomes a mere representation of itself. The ambiance of play is by nature unstable. At any moment ordinary life� can prevail once again. The geographical limitation of play is even more striking than its temporal limitation. Any game takes place within the contours of its spatial domain. Around the neighborhood, around its fleeting and threatened immobility, stretched a half-known city where people met only by chance, losing their way forever.The girls who found their way there, because they were legally under the control of their families until the age of eighteen, were often recaptured by the defenders of that detestable institution. They were generally confined under the guard of those creatures who among all the bad products of a bad society are the most ugly and repugnant nuns.What usually makes documentaries so easy to understand is the arbitrary limitation of their subject matter. They describe the atomization of social functions and the isolation of their products. One can, in contrast, envisage the entire complexity of a moment which is not resolved into a work, a moment whose movement indissolubly contains facts and values and whose meaning does not yet appear. The subject matter of the documentary would then be this confused totality.Voice 2 The era had arrived at a level of knowledge and technical means that made possible, and increasingly necessary, a direct construction of all aspects of a liberated affective and practical existence. The appearance of these superior means of action, still unused because of the delays in the project of liquidating the commodity economy, had already condemned aesthetic activity, whose ambitions and powers were both outdated. The decay of art and of all the values of former mores had formed our sociological background. The ruling class's monopoly over the instruments we needed to control in order to realize the collective art of our time had excluded us from a cultural production officially devoted to illustrating and repeating the past. An art film on this generation can only be a film on its absence of real creations.Everyone unthinkingly followed the paths learned once and for all, to their work and their home, to their predictable future. For them duty had already become a habit, and habit a duty. They did not see the deficiency of their city. They thought the deficiency of their life was natural. We wanted to break out of this conditioning, in quest of another use of the urban landscape, in quest of new passions. The atmosphere of a few places gave us intimations of the future powers of an architecture it would be necessary to create to be the support and framework for less mediocre games. We could expect nothing of anything we had not ourselves altered. The urban environment proclaimed the orders and tastes of the ruling society just as violently as the newspapers. It is man who makes the unity of the world, but man has extended himself everywhere. People can see nothing around them that is not their own image; everything speaks to them of themselves. Their very landscape is alive. There were obstacles everywhere. There was a cohesion in the obstacles of all types. They maintained the coherent reign of poverty. Everything being connected, it was necessary to change everything by a unitary struggle, or nothing. It was necessary to link up with the masses, but we were surrounded by sleep.Voice 3 The dictatorship of the proletariat is a desperate struggle, bloody and bloodless, violent and peaceful, military and economic, educational and administrative, against the forces and traditions of the old world.Voice 1 In this country it is once again the men of order who have rebelled. They have reinforced their power. They have been able to aggravate the grotesqueness of the ruling conditions according to their will. They have embellished their system with the funereal ceremonies of the past.Voice 2 Years, like a single instant prolonged to this point, come to an end.Voice 1 What was directly lived reappears frozen in the distance, fit into the tastes and illusions of an era, carried away with it.Voice 2 The appearance of events that we have not made, that others have made against us, now obliges us to be aware of the passage of time, its results, the transformation of our own desires into events. What differentiates the past from the present is precisely its out-of-reach objectivity; there is no more should-be; being is so consumed that it has ceased to exist. The details are already lost in the dust of time. Who was afraid of life, afraid of the night, afraid of being taken, afraid of being keptVoice 3 What should be abolished continues, and we continue to wear away with it. We are engulfed. We are separated. The years pass and we haven't changed anything.Voice 2 Once again morning in the same streets. Once again the fatigue of so many similarly passed nights. It is a walk that has lasted a long time.Voice 1 Really hard to drink more.Voice 2 Of course one might make a film of it. But even if such a film succeeds in being as fundamentally disconnected and unsatisfying as the reality it deals with, it will never be more than a re-creation ” poor and false like this botched traveling shot.Voice 3 There are now people who pride themselves on being authors of films, as others were authors of novels. They are even more backward than the novelists because they are unaware of the decomposition and exhaustion of individual expression in our time, ignorant of the end of the arts of passivity. They are praised for their sincerity since they dramatize, with more personal depth, the conventions of which their life consists. There is talk of the liberation of the cinema. But what does it matter to us if one more art is liberated through which Tom, Dick or Harry can joyously express their slavish sentiments The only interesting venture is the liberation of everyday life, not only in the perspectives of history but for us and right away. This entails the withering away of alienated forms of communication. The cinema, too, has to be destroyed.Voice 2 In the final analysis, stars are created by the need we have for them, and not by their talent or lack of talent or even by the film industry or advertising. Miserable need, dismal, anonymous life that would like to expand itself to the dimensions of cinema life. The imaginary life on the screen is the product of this real need. The star is the projection of this need.The images of the advertisements during the intermissions are more suited than any others for evoking an intermission of life.To really describe this era it would no doubt be necessary to show many other things. But what would be the pointBetter to grasp the totality of what has been done and what remains to be done than to add more ruins to the old world of the spectacle and of memories.1. This film, which evokes the lettrist experiences at the origin of the situationist movement, opens with shots of the Paris district frequented by the lettrists in the early 1950s.
主演：黄秋生,吴镇宇,毛舜筠,林子聪,林苑,张敬轩,林雪,郑中基,田蕊妮,森美,钱嘉乐,刘浩龙
导演：吴镇宇,麦子善
简介：为人好吃懒做的阿鸡（吴镇宇）虽挂名某家大公司某部门的经理，但终日并无事情可忙，他凭借满脑鬼主意，与在自己手下打杂的好兄弟阿九（林子聪）过着浑噩的撞钟日子。公司因经济不景气决定裁员，方式竟是比拼才艺。阿鸡和阿九无专长可施，愁眉之际得舅公（黄秋生）指点，恍惚记起自己是舞狮世家之后，决定表演日渐无人问津的舞狮。但公司没等到两人大展身手已经关门大吉。阿鸡与阿九垂头丧气坐立街头，硕大的狮头引起路人侧目。在路人钱财的鼓动下，两人舞动狮头，正酣之时，警察过来阻挠，双方发生激烈争吵，引来媒体关注。不想此事令港人重对舞狮发生兴趣，阿鸡与阿九成为名人。阿鸡姐姐（毛舜筠）是天生生意人，见舞狮有利可图，也着手去做，他人更是在利益诱惑下趋之若鹜。眼见这一切，舅公叹气摇头。
主演：黄秋生,吴镇宇,毛舜筠,林子聪,林苑,张敬轩,林雪,郑中基,田蕊妮,森美,钱嘉乐,刘浩龙
导演：吴镇宇,麦子善
简介：为人好吃懒做的阿鸡（吴镇宇）虽挂名某家大公司某部门的经理，但终日并无事情可忙，他凭借满脑鬼主意，与在自己手下打杂的好兄弟阿九（林子聪）过着浑噩的撞钟日子。公司因经济不景气决定裁员，方式竟是比拼才艺。阿鸡和阿九无专长可施，愁眉之际得舅公（黄秋生）指点，恍惚记起自己是舞狮世家之后，决定表演日渐无人问津的舞狮。但公司没等到两人大展身手已经关门大吉。阿鸡与阿九垂头丧气坐立街头，硕大的狮头引起路人侧目。在路人钱财的鼓动下，两人舞动狮头，正酣之时，警察过来阻挠，双方发生激烈争吵，引来媒体关注。不想此事令港人重对舞狮发生兴趣，阿鸡与阿九成为名人。阿鸡姐姐（毛舜筠）是天生生意人，见舞狮有利可图，也着手去做，他人更是在利益诱惑下趋之若鹜。眼见这一切，舅公叹气摇头。
主演：沈恩敬,闵孝琳,姜素拉,南宝拉,陈熙琼,金时厚,柳好贞,朴真珠,李妍京,金甫美,千玗嬉,李璟荣
导演：姜炯哲
简介：25年前，高中生任娜美（沈恩京 饰）一家从全罗道搬到汉城，娜美入读真德女子高中，因方言浓重怯于开口的娜美幸运的得到了同班大姐头夏春花（姜索拉 饰）的维护，并与围绕在夏春花周围的执着于双眼皮的金玫瑰、满嘴脏话的黄珍熙、梦想成为作家的徐金玉、要成为韩国小姐的俞福姬以及沉默傲慢的美人郑秀智等五人结识。在一次和不良少女团对决之后，春花和娜美等七人组成了“Sunny”团体……多年以后，家庭主妇娜美在去医院探望母亲时偶然重逢了身患绝症住院的春花，后者希望在生命的最后两个月内，能够再见当年的Sunny成员。娜美找到金玫瑰，两人委托私家侦探寻找当年的同伴，而那些关于青春的回忆，也在一个个熟悉的名姓后面再次被唤醒。
主演：安·海切,埃里克·斯托尔兹,Sam,Shepard,Kate,McNeil
导演：Christopher,Menaul
简介：奥麦莉是一名高级海军军官，同时也是一名带着两个孩子的单身母亲，她和高级将领同时也是战斗英雄的尼尔森建立了恋爱关系，但不久她发现尼尔森已经结婚了，并很快断绝了他们之间的关系，就在奥麦莉试图重新开始自己生活时，一天夜晚，她被一个持枪入侵者从睡梦中惊醒，经过搏斗，她开枪打死了那个bbb。法庭判定她是误杀，但罪犯却是尼尔森，军方怕丑闻泄露影响不好，所以准以谋杀罪名成立判奥麦莉入狱。她的命令现在完全在沃克船长的手中，被指派给她的辩护律师将通过军事法庭程序为她辩护使她重获自由。
主演：曾志伟,谷祖琳,孟瑶,陈百祥,林家栋,张兆辉,钱嘉乐,王祖蓝,林子善,童爱玲,梁敏仪,王天林,林雪,余安安,曾华倩,关宝慧,李枫,王子涵,贝安琪,赵彤,陈文静,史妍,冯颂晴,李雪盈,谢欣婷,陆嘉仪,伍泺文,郑洁贤,袁丹,陈星雯,魏少婷,周佩芝,林掌玲,陈梦婷,梁婉微,单福阳,区轩玮,张笑千,吴剑华,梁其禧
导演：钟澍佳
简介：上世纪七十年代，曾经荣誉无数，风光无限的电影明星谭冠希（曾志伟 饰），随着年龄的增长，逐渐江河日下，进入了事业的低潮。但他依旧不改风流的本性，竟同时与三名空姐拍拖，令一直对他不离不弃的女经纪人小云倍受冷落。由于经济上的压力，小云为冠希招收了5位徒弟，教他们如何成为明星，实际上只是为了骗他们的钱。而这5人不知其中原由，对冠希言听计从。一天，一位美丽性感的女孩儿闯进了冠希的家里，原来她就是冠希失散多年的女儿宝珠（孟瑶 饰）。有了徒弟与女儿之后，冠希的事业也逐渐有了起色。但是他“一生的敌人”洛奇（陈百祥 饰），依靠自己的财力处处打压排挤他。而有情有义的小云、宝珠和五徒弟决定帮助冠希一起共度难关……
主演：曾志伟,谷祖琳,孟瑶,陈百祥,林家栋,张兆辉,钱嘉乐,王祖蓝,林子善,童爱玲,梁敏仪,王天林,林雪,余安安,曾华倩,关宝慧,李枫,王子涵,贝安琪,赵彤,陈文静,史妍,冯颂晴,李雪盈,谢欣婷,陆嘉仪,伍泺文,郑洁贤,袁丹,陈星雯,魏少婷,周佩芝,林掌玲,陈梦婷,梁婉微,单福阳,区轩玮,张笑千,吴剑华,梁其禧
导演：钟澍佳
简介：上世纪七十年代，曾经荣誉无数，风光无限的电影明星谭冠希（曾志伟 饰），随着年龄的增长，逐渐江河日下，进入了事业的低潮。但他依旧不改风流的本性，竟同时与三名空姐拍拖，令一直对他不离不弃的女经纪人小云倍受冷落。由于经济上的压力，小云为冠希招收了5位徒弟，教他们如何成为明星，实际上只是为了骗他们的钱。而这5人不知其中原由，对冠希言听计从。一天，一位美丽性感的女孩儿闯进了冠希的家里，原来她就是冠希失散多年的女儿宝珠（孟瑶 饰）。有了徒弟与女儿之后，冠希的事业也逐渐有了起色。但是他“一生的敌人”洛奇（陈百祥 饰），依靠自己的财力处处打压排挤他。而有情有义的小云、宝珠和五徒弟决定帮助冠希一起共度难关……
主演：翟小兴,稽波,火喻
导演：方军亮
简介：如果不是张星火的媳妇在电梯里炫耀性的那番话，李文水的老婆说不定就不打算买车，从二手车市场到新车4S店，从奔驰、宝马到奔奔、奥拓一路看来，李文水和媳妇最终把一辆08款奇瑞QQ开回了家。自行车可以劳神费力地往楼上搬，QQ车搬不上，李文水只能听媳妇的话，有事没事勤看着点。李文水是新手，爱车不懂车，经张星火那么一提醒，贴膜、封釉一样都不少，最后还给他的QQ买了一个车罩。李文水和张星火两家因为爱车闹出的冤冤相报，就从这车罩说起。那天晚上张星火开车回来，随手将没喝完的酸奶往李文水的QQ车上那么一搁，没想到晚上刮风，一盒酸奶全“泼”在李文水新买的车罩上。是谁把酸奶“泼”在车罩上的？李文水的媳妇上班的时候瞟了一眼正准备往车里钻的张星火两口子，那意思好像是亲眼看见他张星火往车罩上泼酸奶了。张星火虽然没有成心“泼”的意思，但那事绝对跟他有关。心里亏着理的张星火往车里...
主演：郭振清,王苏娅,温锡莹,葛存壮
导演：李文化
简介：文革期间，共产主义劳动大学在江西省某山区成立。“抗大”老干部龙国正（郭振清 饰）被派到松山分校任党委书记兼校长。当时，两条路线的斗争非常激烈，围绕办学姓“社”还是姓“资”展开激烈讨论，地委赵副专员（鲍烈 饰）支持副校长曹仲和（陈颖 饰）把学校建在城郊，而地委副书记唐宁（ 温锡莹 饰）则站在龙国正一边，支持他们把学校建在山上。资产阶级思想严重的教务主任孙子清（葛存壮 饰），认为工农出身的青年没资格上大学，气愤的龙国正抓起江大年（李世江 饰）的手宣布：“这手上的老茧就是资格！”他聘请老贫农参予学生入学评议，坚持开门办学。肩负着社会主义使命的龙国正，面对种种困难和不满，能否当好这个校长呢......
主演：冈田将生,松坂桃李,柳乐优弥,安藤樱,仲野太贺,岛崎遥香,吉冈里帆,吉田钢太郎,木南晴夏,上白石萌歌,加藤清史郎,吉原光夫
导演：水田伸生
简介：影片讲述在双休制和作业减少等“宽松教育”下成长起来、被称为“宽松第一代”的三位30岁男子为恋爱、工作而奋斗的模样。冈田将生饰普通上班族，松坂桃李饰小学教师，柳乐优弥饰考大学11战11败的浪人。
主演：黄靖芯,谷宗翰,胡珂瑜,姚珊珊,王新,赵鹏,高雅
导演：黄明升,王新
简介：警官大学女毕业生夏一笑，分配到基层派出所工作。夏一笑管理的社区是个楼房平房混杂的和谐里社区。夏一笑初出茅庐对社区工作缺乏经验，闹出了不少笑话。最后在派出所领导和社区群众的帮助下，终于成长为一名优秀的警察。
主演：龚雪,崔杰,马晓伟,李天济,刘婉玲
导演：宋崇
简介：改革开放以后，作为新兴事物出现的股票让中国的老百姓趋之若鹜，疯狂痴迷，一夜之间暴富似乎成为唾手可及的梦想，而许多人深陷泥潭，无法自拔。电机厂工人阿奈瞒着妻子自己下岗的消息，正犯难的时候担任会计的前女友陈纯鼓励阿奈帮她炒股赚钱。同院的王伯不小心将存款换成了股票认购证，善良忠厚的阿奈出手将认购证换了过来。不久后他的股票飞升，王伯的儿子王发认为阿奈骗了老爹，于是在阿奈老婆丁芝英面前造谣生事，导致这对夫妻的婚姻出现裂痕。股市行情风云变幻，钻营求利原指望发大财的王发，终于也傻了眼，而千千万万人的命运也将在股市的冲击中改变……
主演：塞尔希奥·克莱纳,Diana,Mariscal,María,Teresa,Rivas
导演：亚历桑德罗·佐杜洛夫斯基
简介：在Jodorowsky的所有我们能看到的电影里——除过之后的《獠牙》跟《彩虹贼》，这部他早期长篇电影《凡多和莉丝》相比起他大名鼎鼎的《鼹鼠》，《圣山》和《圣血》显得十分不起眼。不过这部影片维持了Jodorowsky影片一贯的光怪陆离，开始的镜头就是侧躺在桌子上的莉丝生吃掉一朵花，整个故事是一对情侣凡多和他腿有残疾的女朋友莉丝一起去寻找传说中神秘的“Tar之城“一路上的经历，途中不断的有不同的怪人诱惑凡多离开双腿不能动的莉丝，甚至还有凡多的母亲，而他们却好象一直都无法离开原来的地方——酷似煤矿的小山，途中还时常出现他们的幻象（时间太久，记不清楚具体的，大家自己看），在找到了Tar之后，凡多却终于忍受不了莉丝，将她暴打致死，后来他十分懊悔，按照莉丝生前的愿望将她埋葬，在坟头上放上了一朵花，并自己躺在她坟墓旁，直到落下的树叶几乎将他埋没，至此，影片在异常欢快的音乐中结束。不过也许是由于对宗教的生僻和文化背景的不同，据说这部影片在墨西哥阿卡普尔科电影节首映的时候观众被吓的四散而走，是因为受不了影片中残忍的镜头，不过看了这部影片我居然莫名其妙的感伤起来，我都不知道我该去想些什么，而Jodorowsky也由此开始他被放逐到海外拍片的生涯，不过之后才有了更经典的《鼹鼠》，《圣山》和《圣血》，也更富有反宗教的意味，相比起《凡多和莉丝》更加被观众认同。可能此片仅仅是他古怪念头的最初尝试，虽然情节很古怪，可倒也不至于不知所云，凡多和莉丝他俩寻找的这座“Tar之城”是个异常奇妙的地方，所有的城池在大灾难降临后都被毁了，只有Tar还矗立着，所以人们传说只要到了Tar，就可以获得食物跟美酒，甚至可以获得永恒；到了Tar，才可以真正理解生命，可以爱也可以被爱，会着迷于未来，而且，Tar永远不会遗弃任何一个人…如此完美的地方，可以看成是个严重理想化的境地，接近理想国的过程自然有荆棘和劫难，更要经受意志的考验，而只有知道如何达成理想的人才能最终实现理想，一开始，凡多和莉丝相信只要找到Tar莉丝一定可以重新走路，而他们所有的问题也都会解决，所以说凡多和莉丝可以说是失败了，尽管他们找到了他们的目标，但最终还是被湮灭在了对过分理想化的Tar的畅想中，这也是我觉得这个故事还存在了一丝凄美味道的原因，凡多和莉丝的爱情悲剧可能正因为他俩的迷茫，虽然有生活的方向，却并不知道如何去达成自己的理想，最后演变为绝望，末路，自我以及互相伤害，这多多少少也印证了那个年代青年的心态——尽管Jodorowsky可能并没想这么说。精彩的配乐也是Jodorowsky所有影片的共同特点，可惜只找到《鼹鼠》的原声，包括本片在内的其他几部的原声只好继续寻觅了，我尤其是特别喜欢莉丝唱的那首“当我死后，将我埋在….”，曲调很是优美，声音也很有质感，尽管有那么点感伤，好象预知了这可怜女人的结局一样。还有就是，片头的那些画，我不知道它们是否也是宗教画，也不知道是否因为没有看明白那些画造成我对本片理解的偏差，所以希望懂的朋友给我解答吧，对于这样的影片我只能介绍，而尽可能的少去评论了。
主演：高峰秀子,田村高广,中村贺津雄
导演：木下惠介
简介：故事发生在1932年的日本，年轻的灯塔员有泽四郎（佐田启二 饰）带着刚刚成婚的妻子清子（高峰秀子 饰）来到了位于东京湾的观音崎灯塔赴任。之后，清子为丈夫生下了两个孩子雪野（有泽正子 饰）和光太郎（中村嘉葎雄 饰）。灯塔守塔员的日子非常的清贫和枯燥，但是四郎和家人们在一起，还是感到十分的幸福。1937年，四郎一家人转移到了一座荒岛上，驻守在那里的女岛灯塔中，随着时间的推移，夫妻两人之间的争吵越来越多，感情出现了裂痕。之后，四郎一路从一名小小的守塔员，最终攀登到了职业的顶峰——灯塔长，在此过程中，他收获了很多，但是也失去了更多。
主演：詹姆斯·斯图尔特,理查德·阿滕伯勒,彼得·芬奇,哈迪·克鲁格,欧内斯特·博格宁,伊安·邦纳
导演：罗伯特·奥尔德里奇
简介：弗兰克（詹姆斯·斯图尔特 James Stewart 饰）是一名飞机驾驶员，一天，他奉命驾驶着一架搭载着油田工人的运输机从撒哈拉沙漠上空驶过，不幸遭遇了沙尘暴，恶劣的天气令弗兰克不得不将飞机迫降在了茫茫的沙漠之中。迫降的过程中，飞机机身多处受损，一时之间无法再度起飞，如此一来，一群人就被困在了沙漠中央。就在众人走投无路之际，一名乘客挺身而出，他自称是一名飞机设计师，在他的建议之下，大家决定将还没有破损的零件从飞机上拆下来，用以制造另一架小型飞机，哪知道在建造新飞机的过程中，意外频出，人员伤亡惨重。
主演：斯特法尼娅·桑德雷莉,萨罗·乌尔齐,阿尔多·普利西,兰多·布赞卡,洛拉·布拉奇尼
导演：皮亚托·杰米
简介：故事发生在风景如画的西西里岛，阿斯卡洛内（萨罗·乌尔济 Saro Urzì 饰）有三个美丽的女儿艾格尼斯（斯蒂芬尼娅·桑德雷莉 Stefania Sandrelli 饰）、阿玛利亚（洛拉·布拉奇尼 Lola Braccini 饰）和马蒂尔德（Paola Biggio 饰）。阿斯卡洛内是一个非常具有威严的男人，家里大大小小的事情从来都是他说了算。马蒂尔德即将和未婚夫皮诺（阿尔多·普利西 Aldo Puglisi 饰）携手步入婚姻的殿堂，哪知道皮诺是一个朝三暮四的花花公子，在他的勾引下，艾格尼斯和他发生了关系，不仅如此，艾格尼斯的腹中还怀上了皮诺的孩子。这件事情不可避免的被阿斯卡洛内得知了，震怒的阿斯卡洛内命令皮诺娶艾格尼斯为妻。
主演：王学圻,张晗,段奕宏
导演：孙铁
简介：刑警张玉贵和妻子离婚多年，他们都深爱着女儿张雅芝。女刑警付明明是张玉贵现在的女友，她为张玉贵的善良正直和男人气概所吸引。在张雅芝过生日那天，张玉贵的好友王建中来到北京托张玉贵帮个忙，王建中做刑警的时候曾救过他的命。不久，某居民小区发生凶杀案，死者状况与后来发生在“东方娱乐城”内的案件非常相似，经调查所取得的线索竟然都与王建中有关，案情还涉及到张玉贵的前妻。最让张玉贵头痛的是，案件背后所隐藏的还有市里主管刑事案件的李德旺副局长以及一批有名有姓的领导干部……张玉贵、付明明、杜鹏等刑警顶着巨大的压力，一查到底，最终将犯罪分子绳之以法。
主演：郭丰周,梁超,李子雄
导演：朱维俐
简介：这部电影讲述的是身为保安的郭头强被误会偷走贵重文物，阴差阳错间陷入一个迷局。面对国际文物走私犯、文物贩子、窃贼三人组等多方势力，郭头强展现出过人的机智聪慧和超强的应对能力。在这场文物争夺战中，郭头强最终伪装成文物“大师”，协助警方上演“碟中谍”好戏，自证清白的同时，也将犯罪分子绳之于法，文物得以完璧归赵。
主演：三国连太郎,山崎努
导演：敕使河原宏
简介：织田信长被明智光秀刺杀身亡数年后，伺候他的利休当上了信长的继承者丰臣秀吉的茶道首领。利休通过茶水的魅力，笼络了全国的武将，并尽其奢侈，营造了茶道最高府第，京都待庵。即侍候丰臣秀吉的主持僧侣的行宫。构筑了一个利休自己的世界。可是，美梦不长，自石田三成的势力增强以后，秀吉和利休的关系开始出现了激烈的矛盾。起初，利休心爱的徒弟宗二，因冒犯秀吉，被赶出行宫，杀了头。接着，石田三成向秀吉进谗言说“利休对出征朝鲜抱有怀疑”。正巧这时，利休在茶室见到秀吉，不慎谈到出兵朝鲜的事，更加激怒了秀吉。秀吉终于下了一道命令，令利休退出京都，并将他禁闭于大庭院。丰臣秀吉的妻子北政所给利休的妻子利木写了封信，说是利休如果肯认错，她想去乞求秀吉原谅利休。可是，利木的回信只是郑重其事地表示了感谢之外，没说别的事。丰臣秀吉见此信更加生气，命令利休剖腹谢罪。
主演：Neta,Riskin,Golo,Euler,Hana,Laslo
导演：Ester,Amrami
简介：诺雅（纳塔·利斯基 Neta Riskin 饰）是一名在柏林上学的以色列女孩，刚刚开始和男友约格（戈洛·欧拉 Golo Euler 饰）住在同一屋檐下的同居生活。在这个陌生的国度里，诺雅没有什么朋友，日子整天就围绕着男友展开。某日，男友告诉诺雅自己要前往外地演出，与此同时，诺雅还收到了研究经费申请被拒的噩耗，她感觉自己再也没有理由在这个国家呆下去了，于是，诺雅决定返回故乡。回到以色列后，家人和朋友们的陪伴暂时缓解了诺雅内心里的焦虑，但随着时间的推移，各种意外的发生让她再度陷入恐慌之中，她绝望的发现，无论是在德国还是在以色列，她的内心都无法获得平静。
主演：梅勒妮·梅隆,埃里·瓦拉赫,克里斯托弗·格斯特
导演：克劳迪娅·韦尔
简介：When her best friend and roommate abruptly moves out to get married, Susan (Melanie Mayron), a wannabe gallery artist slumming it as a bar mitzvah photographer on Manhattan’s Upper West Side, finds herself adrift in both life and love. Could a new job be the answer? What about a fling with a married, older rabbi (Eli Wallach)? A touchstone of American independent filmmaking tha...
主演：任达华,徐若瑄,Vivian,Hsu,陈思诚,颖儿,袁弘,高群书,欧弟,李艾,刘仪伟,吴樾,吴晴晴,梁敏仪
导演：王光利
简介：一段时间内，社会上接连发生两起猎奇杀人案。死者均为妙龄女子，她们的尸体均被凶手用特殊手法冷冻过，事后被穿上华丽夸张的制服公然丢弃，宛如被人随意摆布的玩偶。刑警队长方友为（任达华 饰）和搭档严晓童（颖儿 饰）、新入职的警官肖凯（袁弘 饰）展开调查。他们发现两位死者十年前曾是大学同学，也在同一个Cosplay俱乐部待过，方友为据此接近二人的同学周瑾（徐若瑄 饰）。周瑾的出现无疑将案件引向了新的方向，而她似乎也即将成为下一个被杀害的目标。躲在暗处的凶手磨刀霍霍，狞笑着向他仇恨多年的女人们展开无情报复。道德沦丧的时代，无所畏惧，命若草芥……
主演：李昕芸,吴镇宇,戴立忍,田小洁,李至正
导演：孙亮
简介：美艳忧郁的女医生冯雪辉（李昕芸 饰）对男性有种致命的吸引力，但她的丈夫方文楠（吴镇宇 饰）却以冷暴力相待，两人之间似有深深隐情，他们既是仇人又是同谋。突然医院发生了一起惨烈的坠楼命案，由此牵出一场围绕金钱与欲望的黑幕，仿佛漩涡注定改变所有人——不得志的颓废刑警张越（田小洁 饰）视此案为事业翻身的最后机会而穷追不舍，却被冯雪辉利用引向她的目的；自负到病态的幕后黑手副院长康富荣（戴立忍 饰）早早设计圈套诱捕冯雪辉为替罪羊；暗恋冯雪辉的英俊正直的蒋力航（李至正 饰）其实是手握核心证据的人，但他被爱情深深伤害并亲手将冯雪辉投入监狱——漩涡中心里这个美艳的女人，她到底要什么？她为深藏一个不伦的秘密，她愿意付出任何代价，并誓将挡路的男人们击败，她的武器除了心计还有美丽的身体。